Pages: 216
Intended Audience: Mature tweens and teens
Genre: Real life / Contemporary
Notes for Parents: Contains some coarse language and a couple of very mature scenes.
The Inside Cover
Fourteen-year-old
Bun O’Keefe has lived a solitary life in an unsafe, unsanitary house. Her
mother is a compulsive hoarder, and Bun has had little contact with the outside
world. What she’s learned about life comes from the random books and old VHS
tapes that she finds in the boxes and bags her mother brings home. Bun and her
mother rarely talk, so when Bun’s mother tells Bun to leave one day, she does.
Hitchhiking out of town, Bun ends up on the streets of St. John’s. Fortunately,
the first person she meets is Busker Boy, a street musician who senses her
naivety and takes her in. Together they live in a house with an eclectic cast
of characters: Chef, a hotel dishwasher with culinary dreams; Cher, a drag
queen with a tragic past; Big Eyes, a Catholic school girl desperately trying
to reinvent herself; and The Landlord, a man who bun is told to avoid at all
cost. Through her experiences with her new roommates, and their sometimes
tragic revelations, Bun learns about the world beyond the walls of her mother’s
house and discovers the joy of being part of a new family.
What the cover doesn’t tell
you:
The
story is set in 1980s Newfoundland.
What’s good?
Bun
O’Keefe is an unsophisticated 14-year-old girl who is at the heart of this beautiful
character study. She is unwanted, leaves her stifling home, and stumbles upon
Busker Boy, a young indigenous man who takes her in. She introduces the
eclectic band of characters with her naïve eyes. Bun has no understanding of
stereotypes and prejudice as she narrates the tragedies and triumphs that shape
each person and their relationships with each other. The pace is steady and
moves quickly with witty dialogue and strong characterization. The storytelling
is raw and simple. Themes include abandonment, grief, prejudice, kindness,
forgiveness, and community. The story is, at times upsetting, but in the end,
is very heartwarming.
Best Part: Bun’s “narrator script” that she uses to comfort herself.
What isn’t good?
Bun O’Keefe is smart and clever, yet doesn’t grasp
the concept of sarcasm, she takes everything literally, and has no understanding
of common idioms or most pop culture references. This can get really annoying.
However, it suggests that Bun may be autistic or otherwise developmentally
delayed, adding another layer of mystery to her already unconventional
personality.
Worst part: Pop Girl.
Recommendation ☺☺☺☺☻
(4/5)
This
is a strange and fascinating story about a neglected girl who finds her tribe.
It’s about people, and is populated with characters that you can’t help but
care about. The author somehow avoids the usual literary tropes and creates a
story that is tragic, uplifting, and very unique. It’s important to note that
while the story never gets graphic, the subject matter does get heavy a couple
of times. Ultimately this is a story about love, healing, and what constitutes
a family. Definitely recommended.
Smith, Heather. The Agony of Bun O’Keefe. [Toronto]: Penguin, 2017. (Hardcover)
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