Pages: 427
Intended Audience: Mature Teens
Genre: Urban fantasy / Dystopia
Notes for Parents: Contains violence, some coarse language, and mature scenes.
The Back Cover
Kate
Harker wants to be as ruthless as her father, to prove she’s worthy to stand
beside him and lead their city. August Flynn wants to be human. But he isn’t.
He’s a monster, one that can steal souls with a song. His own father’s secret
weapon.
Their
city is divided. Their city is crumbling. Kate and August are the only two who
see both sides, the only two who could do something. But how do you decide whether
to be a hero or a villain when it’s hard to tell which is which?
What the cover doesn’t tell
you:
This
is the first book in the Monsters of Verity duology. The second book is called
Our Dark Duet.
What’s good?
We’ve
all heard the saying, “Violence breeds violence.” In this story, it’s literal.
Monsters are born from the transgressions of humans. It’s a compelling premise
that delivers a story full of action, tension, fear, and brutality. Kate and
August live on opposite sides of the city – and on opposite sides of the war.
Kate wants to be a villain like her father. August wants to be human, not the
monster that he is. The twisting plot brings them together and forces the
question – what makes something evil? The writing is fluid, the pace is steady,
and the ending is strong.
Best Part: Isla.
What isn’t good?
My biggest problem was the lack of
worldbuilding. The premise is great, but I wanted to know the history, how
things got to be how they are, and why. I needed answers and felt cheated when
I didn’t get any. I was also disappointed with the two main characters. I liked
them, but they were no one special. Kate was a typical bad-ass girl with no
regard for others. August was a typical quiet, angst-ridden boy.
Worst part: Nothing was terrible.
Recommendation ☺☺☺☻☻
(3/5)
There
was a lot of potential in this story, but the results were…mediocre. The idea of
monsters rising from the sins of people was promising, but not explored enough.
The ambiguity between good and evil was better handled in Laini Taylor’s Daughter of Smoke and Bone. In the end
it was good, but not great.
Schwab, Victoria. This Savage Song. New York: Greenwillow Books, 2016.
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