Pages: 168
Intended Audience: Mature Tweens and up
Genre: Historical novel
Notes for Parents: Some mature content
The Back Cover
September
9, 1966
They
took everything away when I arrived here. I had stones from home and some
feathers that Grandma gave me. They took my diary too. I had a lot of stuff
written in there that I thought would give me some comfort over the year. But
now it’s gone.
I
was given this notebook and pencils for school, so I am going to start another
diary. I am going to hide it with me all the time.
I
put the things that were on the bed into the locker. All the clothes had the
number 75 written in black marker on the tags. I am now #75.
What the cover doesn’t tell
you:
Description
from Goodreads.com:
Violet
Pesheens is struggling to adjust to her new life at Residential School. She
misses her Grandma; she has run-ins with Cree girls; at her “white” school,
everyone just stares; and everything she brought has been taken from her,
including her name—she is now just a number. But worst of all, she has a fear.
A fear of forgetting the things she treasures most: her Anishinaabe language;
the names of those she knew before; and her traditional customs. A fear of
forgetting who she was.
Her notebook is the one place she can record all of her worries, and heartbreaks, and memories. And maybe, just maybe there will be hope at the end of the tunnel.
Her notebook is the one place she can record all of her worries, and heartbreaks, and memories. And maybe, just maybe there will be hope at the end of the tunnel.
The
novel is part of the “Dear Canada” series.
What’s good?
The
diary format and the middle school level makes this a quick and easy read. The
main character, Violet, is easily likeable, and the plot is simple. This is a
story of survival as Violet struggles to hold on to her personal and cultural
identity amidst a system that is trying to strip her of it. There are very few
secondary characters, but Violet’s grandmother is noteworthy as a vibrant and independent
woman in her community. The inclusion of Anishinaabe words was interesting, and
illustrated her efforts to preserve her sense of self. This is a sanitized
version of a very dark part of Canada’s history.
Best Part: Blackie the dog
What isn’t good?
Plot development was weak and the whole story
lacked any real historical or cultural context. While this was a decent
introduction to a dark and complex topic, it serves only as a mild starting
point. The events were sanitized so much that Violet’s experience in a
residential school felt more like a sad inconvenience for one girl rather than
the horrific injustice that was forced upon an entire nation.
Worst part: The lack of emotion.
Recommendation ☺☺☻☻☻
(2/5)
This is not a happy story, nor should it be, but
it lacked an element that should have made it feel hopeful. We knew Violet was
sad and homesick, but her diary never really explored the deeper emotions. There
were bright moments, but ultimately it felt like a story told rather than an
experience shared. The story was thought-provoking, but ultimately, for me,
disappointing.Slipperjack, Ruby. These are My Words: The Residential School Diary of Violet Pesheens. Toronto: Scholastic Canada, 2016
No comments:
Post a Comment