Pages: 263
Intended Audience: Mature tweens and up
Genre: Autobiography
Notes for Parents: Some mature content
The Back Cover
As
the only African American soloist dancing with the prestigious American Ballet
Theater, Misty Copeland has made history. But when she first placed her hands
on the barre at an after-school community center, no one expected the
undersized, anxious thirteen-year-old to become a groundbreaking ballerina.
When
she discovered ballet, Misty was living in a shabby motel room, struggling with
her five siblings for a place to sleep on the floor. A true prodigy, she was
dancing en pointe within three months
of taking her first dance class and performing professionally in just over a
year: a feet unheard of for any classical dancer. But when Misty became caught
between the control and comfort she found in the world of ballet and the harsh
realities of her own life, she had to choose to embrace both her identity and
her dreams, and find the courage to be one of a kind.
What the cover doesn’t tell
you:
This
autobiography was co-authored by Charisse Jones.
What’s good?
This
is a fascinating behind-the-scenes look at the rise of a ballet prodigy. Misty
Copeland was already 13-years-old when she took her first ballet class while
attending a Boys & Girls Club (an after-school program in the States). Her
story is one of inspiration and perspiration that starts with her troubles at
home, erupts into a shocking custody battle between her mom and her dance
teacher when she’s 15, and follows her through the competitive and demanding
world of dance. The reader is witness to Copeland’s struggles through puberty,
weight issues, racism, and injury. She is very open about her family’s issues,
and her own feelings, which creates a captivating narrative.
Best Part: Prince!
What isn’t good?
Copeland is unapologetic about her level of
natural talent and this occasionally borders on arrogance, especially at the
beginning. Her abilities are undeniable, and her story of success is amazing,
but her (or her co-author’s) choice of words and bluntness in the storytelling sometimes
feel haughty or condescending. The writing itself is a bit weak.
Worst part: The constant use of the word “Mommy.”
Recommendation ☺☺☺☺ (4/5)
In
2015, Misty Copeland became the first African-American principal dancer in the
75-year history of American Ballet Theater. The story of her rise to fame is mesmerizing.
While the writing isn’t strong, the narrative is insightful and her experiences
are lessons in strength and perseverance. Definitely recommended.
Copeland, Misty. Life in Motion: An Unlikely Ballerina. New York: Scholastic, 2014.
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